Seedance 2.5 Prompt - Película silenciosa prémium del personaje Fig-Garden

Use the provided fig-garden character image as the absolute visual master reference and exact first-frame foundation. Create a seamless 6-second premium commercial character film. The entire sequence is completely silent. No speech. No vocalization. No lip-sync. No talking mouth movements. No exaggerated mouth animation. All emotion must be communicated only through the eyes, facial expression, posture and physical movement. IDENTITY LOCK — ABSOLUTE PRIORITY Preserve the exact character from the source image throughout every frame. Maintain exactly: the same facial identity, the same glossy teal-green eyes and eye spacing, the same round cheeks, the same tiny nose and mouth, the same dark chocolate bob haircut and straight bangs, the same extremely large head, the same narrow shoulders and hips, the same tiny torso, the same extremely short and plump baby arms and legs, the same skin tone, the same fig-themed bonnet, the same clothing silhouette, the same embroidery, ribbons, basket and shoes, the same handcrafted miniature material quality. Do not reinterpret the character as a generic chibi. BODY PROPORTION LOCK The original baby-like proportions must remain unchanged during every movement. The distance from crotch to shoe sole must never become longer than the distance from crown to chin. Never lengthen the thighs. Never lengthen the calves. Never stretch the torso. Never slim the limbs. Movement must adapt to the short proportions rather than changing the proportions to accommodate movement. 0.0–1.2 SEC — DISCOVERY Begin with the character standing several tiny steps away in the miniature fig garden. She holds one especially beautiful ripe purple fig carefully with both tiny hands at chest height. She notices the camera. Her eyes brighten immediately. Her eyebrows lift very slightly. Her cheeks rise. A small delighted smile naturally appears. She briefly looks at the fig, then directly back toward the lens. Her tiny body makes one subtle excited forward bounce. She hugs the fig securely for a moment and leans forward slightly, preparing to move. No speaking. No exaggerated mouth opening. 1.2–3.7 SEC — TINY TODDLE TOWARD THE LENS She begins moving directly toward the camera with several extremely short, quick, energetic baby steps. The movement is a tiny natural toddle rather than adult running. Very short stride length. Feet remain close to the ground. Knees stay softly bent. Tiny body gently bobs with each step. Her oversized head creates charming secondary movement while her original anatomy remains completely stable. She carefully keeps the ripe fig in both hands. Her bonnet ribbons bounce subtly. Her short bob softly moves around her cheeks. The small basket responds with gentle delayed swinging motion. Clothing ruffles and embroidery move only slightly. She becomes progressively larger inside the frame. IMPORTANT CAMERA BEHAVIOR The camera does NOT continuously retreat from her. Allow the character to genuinely close the physical distance between herself and the lens. Do not use digital zoom. The changing scale must come from real subject-to-camera proximity. Framing naturally progresses: full body → three-quarter body → upper body → close proximity. Nearby fig leaves and miniature garden details briefly pass along the outer edges of the frame, creating elegant foreground parallax and genuine spatial depth. Keep the camera stable, cinematic and physically believable. 3.7–4.7 SEC — PRESENTING THE FIG The character reaches the camera. Her steps naturally become smaller and slower. She carefully raises the ripe fig toward the lens with both hands. The fig briefly becomes prominent in the foreground while her face remains clearly visible behind it. She looks directly into the camera with intensely bright, proud, curious eyes. The emotional intention is immediately readable without words: she found something wonderful and came all the way over because she wanted to share it. After presenting the fig, she gently lowers it toward the lower part of the frame. She appears to have reached a comfortable stopping distance— but then takes one final tiny step closer. 4.7–6.0 SEC — EXTREME ADORABLE PROXIMITY The character herself physically leans very close toward the lens. Do NOT zoom the camera. Her oversized head naturally becomes enormous through real proximity. Her face gradually fills approximately 75–85% of the screen. The final composition becomes an intimate playful extreme close-up: large glossy teal-green eyes close to the lens, soft round cheeks filling the lower sides of the frame, tiny nose, small delighted smile, dark bob hair and bonnet edges naturally becoming partially cropped by the frame. The perspective should feel charmingly intrusive and irresistibly cute, as though this tiny character has become so curious and excited that she has forgotten normal camera distance. Keep facial anatomy stable. Do not distort the nose. Do not create fisheye deformation. Do not enlarge the eyes artificially. The character gives a tiny curious head tilt while remaining extremely close. One eye naturally becomes only slightly closer to the lens due to the head angle. She makes one soft natural blink. The ripe fig remains partially visible near the lower corner of the frame, preserving the narrative reason she approached us. FINAL 0.7 SEC — LIVING ENDING Do not freeze. Do not pull away. Do not introduce another action. Keep her face extremely close to the lens. Allow only tiny residual movements: one subtle happy body sway, a soft blink, minute cheek movement from her smile, hair gently settling, bonnet ribbon continuing its last small movement, a tiny natural adjustment of the fig in her hands, the basket completing its final delayed swing. The camera remains stable. End while these tiny movements are still naturally continuing. The final frame must feel like a living moment rather than a completed pose. It should feel as though she will remain curiously looking into the lens even after the video ends. CAMERA DIRECTION premium cinematic character cinematography begin around the character's natural eye level stable camera axis natural subject approach strong progressive depth gentle foreground parallax physical subject-to-lens proximity no dramatic low angle no high angle no artificial zoom no dolly backward that prevents her from reaching the camera no camera shake no camera roll no whip pan no speed ramp The visual progression must clearly read: tiny figure in the fig garden → approaching us → surprisingly close → one tiny step too close → face almost fills the screen. PERFORMANCE DIRECTION extremely cute but natural tiny determined toddle short plump baby legs slightly clumsy momentum oversized head round cheeks bright curious eyes innocent excitement gentle pride in the fig she found complete trust toward the viewer The humor and cuteness come from her physical behavior and proximity to the lens, never from exaggerated facial animation. ART DIRECTION premium commercial character-film quality high-end art-director portfolio finish polished miniature cinematic illustration soft handcrafted 3D-painterly texture stable material detail controlled character animation physically coherent secondary motion clear visual storytelling without text or dialogue Preserve: neutral ivory skin, deep chocolate-black hair, clear teal-green irises, fig-purple and muted lavender accents, botanical greens, warm directional sunlight, rich preserved midtones, protected highlights, soft dimensional shadows, visible embroidery and fabric texture, clean separation between character and background. The face remains the brightest and sharpest visual priority. NEGATIVE CONSTRAINTS NO speech NO vocalization NO lip-sync NO talking NO exaggerated mouth movement NO identity drift NO face redesign NO hairstyle change NO enlarged eye spacing NO artificially enlarged eyes NO long legs NO skinny legs NO adult proportions NO stretched limbs NO stretched torso NO long strides NO adult running NO jumping NO floating NO fisheye face NO distorted nose NO grotesque extreme perspective NO digital zoom NO camera shake NO disappearing fig NO disappearing basket NO costume change NO duplicated limbs NO extra fingers NO random objects NO sudden freeze NO abrupt final pose NO fade to black NO text NO watermark